Cento
from: Ted Kooser, Louise Gluck, Stanley Koonitz, May Swenson, Robert Pinsky, Robert Lowell, Robert Hass, Edna St. Vincent Millay, Richard Wilbur
When was I silenced, when did it first seem
pointless to describe that sound
She is saying it’s time that the swinging were done with,
if I stepped out of my body I would break.
This is the force of faith. Nobody gets
what they want.
My hand draws back.
Into blossom.
This is the aftermath
a hero, dying,
Gives off stillness to the air.
Enlightenment, shade of grief.
It is always a matter, my darling–
I cannot say what loves have come and gone.
Canzone
I prefer to
forget the remembered things.
There were no dewdrops
lashing my back
as you shook the drenched ketsora.
They did
not spatter across me, curled
around the curb.
The moon hated you.
And I did too.
Calligram
in the
lit o
rose-
cursed
waters we
rowed the boat
as far as the edge of
night. she used the north
star and marlin-wake to steer.
we left the drowned to the mermaid
kiss and the seaweed to the collectors’ tin.
dawn broke as an egg over the unstoppable hull. faster.
Blues Poem
Whoever has the key to the white oared boat by the dock
Should give the key to me.
Whoever knows how to rudder the white oared boat by the dock,
Should come along with me,
Down to the strange beach and the strange blue bobbing hats,
And we’ll see what we can see.
The phosphorescence is out tonight,
Trailing yellow strands of light in the murky water
And the floating tangles are out tonight
They will catch my hair in the inked water
I can still see my whiteness, fleeting
As bait set for the fish to scatter.
No one has plans to sleep
That would be a sin.
To stop, to slumber, to kiss sleep
Would certainly be a sin.
It is best to hold the faintly buzzing time,
Begging for another gin.
Blank Verse
A midnight stroll onto the jargish pier,
under the haze-blocked night, not
cooler for a huffy breeze.
I’d wished for a palm to stroke
or a thigh to stick to mine own.
And lick the cool stars brighter.
I wish I had you
begin my memory of love.
We could have swum frozen
in the winter sea.
I tried that once, alone
though diving through
the flecked brown ice, past
the balooning plastic
bags was empty grace.
Unnecessary heart—
I beat you to see
if you still tick.
Assonance Poem
This is how the slow row residue colors hours;
No one owns the coin dropping on a loop,
Nor the dour squire nursing beer—
An afternoon bar acquires ailments one by one.
Alliteration Poem
The laurels wilted watching the water,
Lording their leaves, looming tumescent, laden tendrils drooping.
The swooping, the shooting of a whippoorwill watching the water,
Done wading the weeks, now writhing the warm stems, ladling blood for a bower birth and lending low cries for the farm.
Acrostic Poem
Held by a field of bones.
Often without cause.
New shoes, green glass bottles.
Everything becomes a graveyard.
You fall; the ground warms.
Abstract Poem
gold as the goliath, strapping as the snail, push
down the riverbend, head meets nail, nil the serpent tongue,
witch the washrag, we live in this cabin here, look the rang river,
the egg nest, stole from the happenstance of estuary. ashes rush to compress it,
hold the hilt that stung what brought this pestilence. hang the song that buried the trees.
Filed under: Poetry
Two years ago, I started to feel that my poetry writing was in a rut. So I made up a challenging exercise for myself, the 75 Poem Project, in which I would endeavor to write one poem representing 75 different traditional forms. I got all the way up to Elegy before moving to LA. And then I completely stopped writing poetry. Something about the stress of moving to a new city with no car, job, apartment, or friends and then spending the subsequent 15 months making those things appear out of thin air knocked all the creative energy out of me. But no more excuses. I am picking up where I left off. I won’t post every example–to be honest, a lot of traditional poetic forms are dead for a reason. But I will make a valiant effort to put them out into the world and not keep them hidden on my computer, where most things I make seem to live.